Film Society Selection
'UNDER THE TREE'
book a ticket for this and forthcoming BFS screenings please contact the
SHP Box Office on 01344 484123 or click the logo below to book via the
Tickets: Mon-Thur evenings & all matinees £9.10, Conc £8.10, Members £7.50
Fri-Sun evenings £9.10, Members £7.50
BFS Members £7.10 for BFS films - you may be asked to show your membership card. Phone reservations can be held for 4 days.
FILM RECEIVED 15 WINS AND 9 NOMINATIONS
Hafsteinn Gunnar Sigurðsson, Iceland, 2017, 89 minutes, Icelandic with
Cast: Steinþór Hróar Steinþórsson, Edda Björgvinsdóttir
When Atli is forced to move back in with his parents, he finds himself amidst a bitter dispute over a tree.
Acute social drama and jet black comedy, alive to the hilarious pettiness of people.
Plus short film
of the Day
Directors. Jennifer Sheridan/Matthew Markham, UK, 2016, 100 seconds
A lonely fisherman hooks more than he bargained for.
It has the escalating, claustrophobic structure of the darkest farce, but hammer doesnt pile up in Under the Tree so much as it bleeds out. In the course of Icelandic writer-director Hafsteinn Gunnar Sigurdssons memorably mordant third feature, savage black comedy passes almost imperceptibly into stunned, visceral tragedy like a laugh turning in the throat and coming out as a choke. Charting an initially familiar battle of across-the-fence attrition between bad neighbours in polite surroundings, Sigurdsson gradually takes petty bourgeois tensions to alien, gasp-worthy extremes; what the film occasionally lacks in human finesse, it makes up for in sheer anything-goes resolve. The bleakness of its blackness might not portend a major crossover hit, but on the strength of both its universality and its singular Scandi irony, Under the Tree should spread its branches into international arthouses.
Columbia graduate Sigurdssons 2011 debut feature Either Way wasnt widely released beyond the festival circuit, but wound up being comfortably remade by David Gordon Green as Prince Avalanche and its not hard to see the directors latest enjoying similar treatment, given how smoothly its sins-of-suburbia narrative could transfer to a middle-American context. Which is not to say Under the Tree wants for cultural or geographical particularity, beginning with the dove-grey northern light that dominates Monika Lenczewskas deliberately muted widescreen lensing: With a wry eye for trivial detail, Sigurdsson fills in a boxy, tidy, perennially overcast world where even the outdoors seem indoors, and the parking lot of IKEA doubles for one desperate parent as an idyllic picnic spot.
The parent in question is Atli (Steinþór Hróar Steinþórsson), an unremarkable thirtysomething husband and father thrown out on his ear by his wife Agnes (Lira Jóhanna Jónsdóttir) after being caught wet-handed with an old girlfriends sex tape. Her calm, abrupt decision to cut him from her life and that of their young daughter sends Atli into a fevered spiral of stalking, though their messy, hostile separation is practically civil compared to the films other driving dispute, as Atlis retired parents into whose trim modern identikit house their son is forced to move go to war with their younger, somewhat hipper neighbours Konrad (Þorsteinn Bachmann) and Eybjorg (Selma Björnsdóttir).
Sigurdsson and co-writer Huldar Breiðfjörðs Chablis-dry script deftly staggers conflict not just across domestic walls, but between them, with points of argument ranging from patently absurd to distinctly raw. Atlis father Baldvin (Sigurður Sigurjónsson, quietly excellent) is mild-mannered to a point; his mother Inga (Edda Björgvinsdóttir), however, has long dispensed with niceties even to her nearest and dearest, corroded as she is by mourning for an absent second son. Unhinged grief pulls her into arguments with anyone, with newish trophy wife Eybjorg her most persistent opponent and the vast, venerable tree in Ingas backyard their most regular bone of contention.
Guy Lodge - Variety